What are you studying/working on right now?
I’m researching Booker T. Washington’s relationship with the visual arts.
Where did you go for college and what did you study?
I got my Bachelors Degree at Oberlin College where I majored in Studio Arts and minored in African-American Studies. I also received an MFA in Studio Arts from the University of Illinois at Chicago where I focused on video/photo and performance art.
What brought you to the American Studies department at GW?
The American Studies discipline was recommended to me by a colleague working at the intersection of the arts and social justice. GW’s program interested me for its excellent reputation and proximity to the stupendous research assets of Washington D.C.
What piece of advice would you give, or what piece of advice has been most influential to you, about living around GW and in DC?
Get a reader card at the Library of Congress, and don’t forget to look up.
Is there one book/piece of media that inspired you to pursue the field of American Studies? If so, which one and why?
A little known book by Booker T. Washington called The Man Farthest Down, in which Washington chronicles his survey trip across Europe comparing the lives of poor Europeans to those of blacks living in the American South.
If you were tasked with introducing yourself to a person only by recommending to them one film, which would you choose and why?
Africa: Texas Style; a film about a farmer’s attempt to domesticate wild zebras and wildebeest to create livestock farms in Africa. Seeing cowboys on horseback chasing and lassoing a rhinoceros is a surreal experience. Tears of the Black Tiger is another surreal one. It’s a cult classic from Thailand shot in the format of an American Western. Did I say Django: Unchained? I guess I like riffs on the Western trope. I absolutely love Teorema. It’s not a Western. I’m multi-faceted. It takes more than one film to define me.
Imagine you're up to bad at a Major League Baseball game. You need a walk-up song. Which would you choose?
"Mahlalela" by Leta Mbulu and Hugh Masakela.